Sheree Fitch’s Sleeping Dragons
All Around is a children’s picture book about a little girl tiptoeing
through her house at night past eight sleeping dragons. She’s headed to the
kitchen to get a big slice of “Mocha Maple Chocolate Cake.” It’s not really
related to Kathi Appelt’s Keeper, but
it’s a book introduction to Appelt’s novel, in a sort of roundabout way.
For years, I didn’t have any connection to the title, Sleeping Dragons All Around. I thought
it was great, and remember having the picture book in the house, just sort of
there, with a title that sort of rolls around and sticks for a while, even if
you’re not opening it up to read the story. And then I took a Romantic lit
course and read “The Eve of St. Agnes” by John Keats and found these lines
buried near the end:
She hurried
at his words, beset with fears,
For there
were sleeping dragons all around,
At glaring
watch, perhaps, with ready spears---
Down the wide
stairs a darkling way they found.---
In all the
house was heard no human sound.
Maybe it’s just because I probably went ten
years without that connection, which doesn’t feel like a missing link until you
find the way to put it back together again, but that made a little window that
looked out from a contemporary children’s book into the early 1800s.
Kathi Appelt’s Keeper does something similar. It starts with a few lines from T.S.
Eliot’s “The Love Song of J. Alfred Prufrock”:
I have heard
the mermaids singing, each to each,
I do not
think that they will sing for me.
I love that these are books for children
and adolescents that make an introduction or connection to some really great,
canonical poems, making them accessible without allowing them to take over the
content of contemporary work. I really like the idea of adolescent and young
adult books as being windows into canonical novels, and using windows to view
canonical texts while keeping a more contemporary, and sometimes relevant,
focus for younger readers.
The Prufrock poem is especially relevant to
Keeper, a book about ten-year-old
Keeper who’s waiting for the blue moon, an occasion that draws mermaids to the
sandbar on the Texas coast. Her own mermaid-mother swam away when Keeper was
three, and this is a chance for her to make things right again. Keeper draws a fairy tale world around
its protagonist, one that begins to crack apart as she gets trapped in the open
waters of the Gulf of Mexico with a seagull named Captain and BD (Best Dog).
The chapters are short and to the point of being almost lyrical, and the
characters are as diverse and memorable as the story.
There’s Dogie, who lives next door and owns
Dogie’s Beach Umbrella and Surfboard Shop, “which had at one time been a yellow
school bus but was now simply known as ‘the Bus.’” Keeper is his “waxwing,”
helping Dogie wax and surfboards that come into the shop – “He didn’t pay her
much – a cold Dr Pepper, plus one dollar for waxing a short board or two for
waxing a long board – but she was proud of her work.” And then there is Signe,
who Keeper lives with, who makes gumbo for the blue moon in a big pot on the
stove. The morning that the book begins on shows Signe “standing there with her
wooden spoon in one hand. Signe’s bright white hair stood up in spikes. Keeper
loved Signe’s hair. According to Signe, her hair turned white when she was only
fourteen, right before she left Iowa. It had been snow white ever since.”
When Keeper’s sympathy for the crabs that
are destined for the gumbo disrupts the entire blue moon day, she sets off on
an adventure, ill-fated and dangerous. But she can’t help saving them from the
boiling stew, wondering, “Was this what it was like to have mermaid blood
running through your veins?”
The focus on childhood and adolescence in Keeper is almost heartbreaking, the
breaking down of fairy tales and legends and stories that become protective and
safe like a blanket to a young girl who has been left by her mother. Appelt’s
writing shines here, just as it did in The
Underneath, as she tells a story that is nothing like anything else that
has been told before.
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